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Given that her career has, in its own right, been extraordinary, I wonder how she feels about the idea of being a muse. “I think it’s a question of age, because when you’re much younger, you could be. It can be easy to look back on Rampling’s career as a series of provocations.
Night Train to Lisbon
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Part of it is asking yourself how you get into the mind of a younger actor, but it comes very naturally because everyone is human. Unless you’re in a place where you don’t really want to learn, you don’t really want to listen to others, then there’s always potential. When you’re working with the other actors and the director and the crew, it’s very intimate—you’re all intertwined for a certain period of time, and you get to know some of them better than you do your real friends because you spend so much time sitting around and talking and eating together.
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(2023 TV Movie)
Not because she wasn’t enamored with the story—an intimate study of the complex relationship between a wayward teenage boy and his dying alcoholic grandmother—but because the film would require her to travel to New Zealand. “I know New Zealand well because the father of my son is from there,” says Rampling. ” After a single meeting in Paris with actor, writer, and director Matthew J. Saville (who makes his feature directorial debut with Juniper), however, Rampling was convinced.
Early life
Critics raved over the complexity of her performance, which explored unsettling depths of denial in its attempt to make sense of the tragedy, and for her work, Rampling received her second Cesar nomination. Her sophomore project with Ozon, 2003's "Swimming Pool," was a deeply personal project for the actress, as it allowed her to finally come to terms with her sister's suicide. Another critical success, the film brought Rampling a third Cesar and a European Film Award for Best Actress.
There has always been somebody who wanted to do it that coincides with something that suited me. IndieWire spoke with Rampling, dialing in from her home in Paris, about “Juniper,” her career, thoughts on creativity, and what drew her to play the steely, black-veiled prophet, Reverend Mother Gaius Helen Mohiam, in Denis Villeneuve’s “Dune” universe. Before teaming up with Denis Villeneuve, Rampling nearly starred in “Dune” back in the 1970s, when Alejandro Jodorowsky was at the helm, as Lady Jessica. After that project infamously fell apart, and she didn’t star in David Lynch’s version, she returned to Frank Herbert’s source material once Villeneuve cast her.
Awards and nominations
She turns up to be very rude, and the same night Alain finds a live rare Scandinavian lemming clogging up the kitchen sink. Los Angeles private eye Philip Marlowe is hired by paroled convict Moose Malloy to find his girlfriend Velma, former seedy nightclub dancer. A disturbed young woman is kept prisoner in a castle by her aunt for her money. The game-keeper, her guardian, tries to rape her but she escapes. In her flight she meets a man also running away, from two killers. The first is a modest provincial hairdresser while the second leads the great life in Paris.
Dune
She briefly studied Spanish at a college in Madrid before dropping out in 1963 to travel with a cabaret troupe. Upon her return to England in 1964, she modeled to support herself while learning the craft of acting at the Royal Court Stage School. The character's combination of icy beauty, open sexuality, and disregard for responsibility - which the press dubbed "The Look," per a comment from her frequent co-star, Dirk Bogarde - would serve as a template for many of her future performances. Her most substantive work during this period, however, came in partnership with French director Francois Ozon. Their first collaboration, 2000's "Under the Sun," gave her talent a magnificent showcase as a woman crippled by grief and doubt over her husband's mysterious disappearance.
Charlotte Rampling, Blonde, Don't Worry Darling, Catherine Called Birdy and Juniper
We watch as her life begins to crack around her, but largely, that is it. It is so sparse that it makes the gorgeous 45 Years, for which she received her only Oscar nomination in 2016, look as action-packed as an Avengers movie. Rampling went to prestigious private girls’ schools in France and in England, and at the age of 16 left for a secretarial college in London.
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The character of the hard-bitten been-there-seen-that war reporter is a bit of a movie cliche. But Rampling is wonderful, adding layers to rude, arrogant Ruth, showing her affinity with those who are suffering. Ferrier is very good, too, as Sam, all unprocessed grief and defiance.
Quite a lot of things were experimental, I suppose. I don’t know whether I’ve got it now, but never mind – I had it! ” Randall went his own way after she married Southcombe, and they lost touch. There’s an effortlessness about all your performances.
She was born Tessa Charlotte Rampling on Feb. 5, 1946 in the village of Sturmer, in Essex county, England. Her father was Godfrey Rampling, a Royal Army officer and three-time gold medalist in the 400 meter and 4x400 meter relays in the 1932 and 1936 Summer Olympics, while her mother, Anne Isabelle Gurten, was a painter from France. Her childhood was spent in transit, moving throughout the U.K., France and Gibraltar with her father's reassignments. She was educated in part at the Jeanne d'Arc Academie Pour Jeunes Filles in Versailles, which she later described as a lonely experience due to the language barrier. Happiness was found in a cabaret act she enjoyed with her older sister, Sarah, who died by her own hand in Argentina in 1967 after the premature birth of her daughter.
That said, Rampling's most intense role was, arguably, that of a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her throughout her captivity in 1974's The Night Porter. Charlotte Rampling grew up in England in the 1940s and 1950s, spending ample time across Europe. In her late teens, she began a career as a model, which quickly led to her being noticed and appearing many movies and TV shows. She first appeared an extra in The Beatles movie "A Hard Day's Night" (1964) and her official credited debut was a year later in the British comedy "Rotten to the Core" (1965). A few years into her acting career, she became a favorite of the '70s European indie film scene, with notable controversial roles in "The Damned" (1969), "The Night Porter" (1974), and "Max, Mon Amour" (1986).
She appeared in the cult classic Vanishing Point, in a scene deleted from the U.S. theatrical release (included in the U.K. release). Lead actor Barry Newman remarked that the scene was of aid in the allegorical lilt of the film. In 2017, she won the Volpi Cup for Best Actress at the 74th Venice International Film Festival for Hannah.[6] She received an Honorary César in 2001 and France's Legion of Honour in 2002. She was made an OBE in 2000 for her services to the arts, and received the 2015 Lifetime Achievement Award from the European Film Awards. Variety hears that Gary Dartnall (“The Tale of Sweeney Todd”) and Grant Hill (“The Matrix Resurrections”) are on board to produce the project while Dennis Davidson is executive producer.
The dark humor was something I very much developed with Matthew as well—in the end, you have to have humor, otherwise it feels very one-dimensional and uninteresting. We Brits do have a certain way of being able to laugh about ourselves, perhaps more than a lot of other people in other countries, which is a great weapon, actually. You can get away with a lot by being self-deprecating and appearing not to take yourself too seriously. Charlotte Rampling has worked with many famous directors, including big names like Woody Allen and Tony Scott. Swiss Professor Raimund Gregorius abandons his lectures and buttoned-down life to embark on a thrilling adventure that will take him on a journey to the very heart of himself.
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